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For Place

"These arguments, then, highlight a number of ways in which a progressive concept of place might be developed. First of all, it is absolutely not static. If places can be conceptualized in terms of the social interactions which they tie together, then it is also the case that these interactions themselves are not motionless things, frozen in time. They are processes. One of the great one-liners in Marxist exchanges has forlong been, 'Ah, but capital is not a thing, it's a process.' Perhaps this should be said also about places, that places are processes, too"

In her portrait of Corsica, Granite Island, Dorothy Carrington travels the island seeking out the roots of its character. All the different layers of people and cultures are explored; the long and tumultuous relationship with France, with Genoa and Aragon in the thirteenth, fourteenth and fifteenth centuries, back through the much earlier incorporation into the Byzantine Empire, and before the domination by the Vandals, before that being part of the Roman Empire, before that the colonization and settlements of the Carthaginians and the Greeks ... until we find ... that even the megalith builders had come to Corsica from somewhere else.

It is a sense of place, an understanding of 'its character', which can only be constructed by linking that place to places beyond. A progressive sense of place would recognize that, without being threatened by it. What we need, it seems to me, is a global sense of the local, a global sense of place."

-- Doreen Massey, in For Place, 2005